It's never too late to hold a solo show
Updated: 2013-11-29 14:17
By Lin Qi (China Daily)
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[Photo/China Daily] |
Years later, the original painting was rediscovered in a basement at CAFA, roughly wrapped in straw ropes.
"The work of 1999 shows my improvements in handling oil on canvas. But the original one fully reveals the pure persistence of a young painter of the 1960s," he says.
Zhong was enrolled at the architecture department of Tsinghua University in 1946. He joined the fine arts society on campus. He later began systematic art disciplines at the Huabei University (the current Renmin University).
Zhong produced the original Along the Yanhe River as a graduation work when he attended CAFA's oil painting research class. The class, taught by Chinese professors, enjoys equal reputation with another class taught by former Soviet Union oil painter K. M. Maximov, for cultivating New China's first-generation oil painters in the 1950s.
Also on show are Zhong's works that were inspired by his research into the European interior paintings and his experimental creations that apply elements of Chinese calligraphy, fresco and rock painting.
"Zhong has been observing the artistic transformations since the reform and opening-up. He has made academic contributions to the contemporary art scene, and particularly, his explorations have prompted the development of Chinese oil painting," Fan says.
Xu Bing, vice-president of CAFA, says the exhibition gives an overall view of why Zhong is respected as an important scholar-type artist by the Chinese art community.
He explains that China's fine-arts education experienced bottlenecks in the 1980s and '90s, when the art traditions collided with the Western art after opening-up, and then encountered powerful commercial influences. Zhong demonstrated his persistence and professionalism, leading the academy to find its right position in changing times.
Xu says he is most impressed by Zhong's ability to create and his ultimate pursuit of perfection, even though under limited conditions - referring to the hardships China experienced.
"Ultimately, an artist should fulfill his duties by completing works in his studio and upgrading his artistic language," Xu says.
Feeding Asia's art |
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